Wednesday 24 February 2016

The Adjudicating Audience


A few years ago, I was on the adjudication committee for the Vancouver International Burlesque Festival. It was an invaluable experience and opportunity because I was able to see first hand what the experience of a selection committee looks like. Here are the biggest lessons I learnt about applying to burlesque festivals.


1.) Video Quality Matters

We said that it didn’t, but it definitely came into play. If the lighting is so bright I can’t see your facial expressions or half of your routine  is hidden behind an audience member’s head? If the camerawork is shaky or filmed from far away? How can I properly evaluate how awesome you are? I really appreciated the videos that had been filmed in HD where I could clearly see the performer’s performance. Something about having a better quality video definitely suggested professionalism and added a bit of a “wow” factor. A caution however, that it shouldn’t look like a music video. Angles and fades detract from the performance and highlight reels aren’t acceptable.  

2.) Be Shiny

I’m not on the Dita Von Teese level. I can’t afford a super showgirl 10 000 rhinestone encrusted anything either, but, there are plenty of good cheats. Plastic rhinestones mixed with swarovskis or sequin fabric can do just as well. Hire a fellow performer to be ingenious for you if you aren’t costume savvy. I saw many robes but I remember the one that had been made out of sequin fabric. Consider the level of costuming you have seen at other festivals and competitions. It is unnecessary to lose points because your costume was lacking. You must make it a costume before I will believe its a costume.  


3.) Rule of Three aka You Gotta Get a Gimmick

We received so many applications but the ones that were accepted all had something in common. They were more than just a simple strip. I really want to emphasize that the majority of our applicants were not “bad,” its just that the ones accepted were better. They felt like a total package, they had something more. Its not enough to just be a good dancer. Its not enough to just have a good costume. You need to have at least three really positive things going on. Consider whether you have at LEAST three of the following when developing your acts. If you have more than three, chances are its not just a good act, its a GREAT act! 

*Dance Ability/Strip Ability/Stage Presence
*Sex Appeal
*Great Costume
*Comedy/Storyline 
*Gimmick

The gimmick is a big one!! A gimmick can be several things: a giant prop, a new and unseen peel, a creative use of a classic burlesque archetype, or even a political message. It can be a magic trick, acrobatic or comedic ability! It can come down to being or doing something that people don’t usually see at a Burlesque show or even in their everyday lives! Remember, however, that a gimmick is still not enough on its own.   

Ok Everybody, I hope this helps!! Make sure that before you apply for a festival or a big competition you ask yourself, “What is it that sets this act apart from any others” and spend the extra cash for a nice video and some shiny bits. Having professional anything suggests that you are a professional. I promise it's worth it. 

@ABCDoubleDs 
#ABCDoubleDs 



Thursday 18 February 2016

A is for Audience




click to display animated gif!

Why pick A for Audience? Simple. In burlesque, the audience is an integral part of the show! Unlike traditional theatre audiences, burlesque crowds are actively encouraged to vocally show appreciation for performers with hoots, hollers, claps, whistles, and requests to "take it off." The Fourth Wall is a theatrical term for the imaginary “wall” that exists between actors on stage and the audience. Burlesque performers break through this “wall” and perform directly to their audience and invite them to be part of the performance.

Audience engagement is an effective and enjoyable form of entertainment. As members of modern society continue to experience isolation as personal forms of entertainment become more common and accessible, a burlesque show stands as a event to bring people together. We love that burlesque is about shared experience!! Without an audience, there can be no burlesque.







Above is the seven stage process that took the page to its final state.
The sketch, the inked drawing, the shadows , the colour, the highlights and at the end last is the combo of all. The most challenging aspect in this was creating life in the interaction of the characters. There is a harmony between the character interaction which helps to create the impression of a domino effect!  

Colour your own audience! Tag us on any of our social networks to be featured on our blog!



Tuesday 16 February 2016

Foreword by Dustin M. Wax

Excerpt from The ABC Double D's of Burlesque


Excerpt from The ABC Double D's of Burlesque
Photo by Dani Blanchette
Dustin M. Wax is a cultural anthropologist and the Executive Director at the Burlesque Hall of Fame. An anthropologist by training, he has taught anthropology and women’s studies at both the community college and university levels. He has worked extensively in the museum and nonprofit worlds, with stints at the University of Nevada Las Vegas Barrick Museum, the American Museum of Natural History, and the Jewizsh Museum, as well as the Carnegie Council for Ethics in International Affairs. His research interests include artistic production, the history of anthropology, gender roles and sexual identity,  and the representation of culture and identity in scientific literature, museums, and the mass media. He is the author of Don’t Be Stupid: A Guide to Learning, Studying, and Succeeding at College and editor of Anthropology at the Dawn of the Cold War: The Influence of Foundations, McCarthyism, and the CIA.
Dustin has also been active in attempts to use the Internet to improve and broaden research and education, and is a founding contributor to the anthropology site Savage Minds, selected as one of the 20 Best Science Blogs by Nature in 2006. From 2007-2010, he was the managing editor at the personal productivity site lifehack.org, a Technorati Top 100 blog, where he wrote about writing, learning, studying, project management, technology, and other topics in personal development.
For more information on his teaching, research, and writing, please check out his portfolio.

About The Burlesque Hall of Fame 

Photo by Dani Blanchette
The Burlesque Hall of Fame is the world’s premier organization dedicated to preserving the living legacy of burlesque as an art form and cultural phenomenon. With a collection of several thousand costumes, stage props, photographs, and personal effects documenting the careers and lives of burlesque dancers, comics, and producers over nearly a century, the museum is a growing testament to the power and social impact of the art of the tease.

From its humble beginnings as the personal collection of Jennie Lee, the legendary tassel-twirler who first dreamed of a “Burlesque Hall of Fame” in the early 1950s, to its present-day incarnation as the world’s largest and most important archive of vintage burlesque ephemera, The Burlesque Hall of Fame has been one of the world’s only institutions dedicated to preserving the art, artifacts and traditions of this uniquely modern art form.

It was Jennie’s wish that this institution not only honour burlesque’s memory, but also its future. A founding member of the Exotic Dancers League, she was devoted to keeping “the girls” together. As such, in addition to her dream of a world class museum, Jennie’s plans for the Hall of Fame included affordable housing for retired dancers, as well as a school for aspiring stripteasers, who could train there alongside Burlesque’s remaining greats.

Unfortunately, Jennie passed away before she was able to see her dream realized. However, thanks to her dear friend and fellow entertainer, Dixie Evans, it was far from lost. For 15 years after Jennie’s death in 1990, Dixie took up Jennie’s mantle, creating a museum in Helendale, CA, that became a pilgrimage site for not only previous generations of performers but the new generation of “neo-burlesque” performers looking to the past as a model for their own futures.

In 2006, the Burlesque Hall of Fame relocated from Helendale to Las Vegas, NV, in hopes of establishing a permanent, first-rate tourist attraction and research/exhibition space for their one-of-a-kind collection. Today, the museum occupies a space in the Emergency Arts building in the heart of a revitalized Vegas Downtown, where a small part of their several-thousand-piece collection is on display to the public.


Tuesday 9 February 2016

Meet the Artists!


Bashar Sawalha is a dedicated creator, writer, illustrator, animator, art director, producer, and a whole lot more. Holding a Bachelor’s of Media Arts and Animation from the Illinois Institute of the Arts In Chicago, Bashar has also attended specialty classes in Story boarding and concept art at Gnomon Workshop (Hollywood) and The Academy of Art (San Francisco). Bashar cut his teeth in production and in the directing of animated advertising in Montreal. Bashar was involved in the growth of the art gallery CTRLLAB and with Shower Curtain Advertising where he developed a new media placement product line in Toronto, Montreal and Vancouver. Bashar has been the head of Collaboratory Productions and Fresh Meat Publishing and is involved in the creation, production and distribution of trans-media Entertainment properties and handling branding, marketing and advertising solutions for clients around the world. Bashar is the proud creator of Inquest of Missing Time, an avant-garde comic and YouTube channel of horror and comedy that aims to sharpen the perspective on the impelling drama of human existence. Bashar is also the inventor of PercoTop, the first portable non-spill water pipe. Bashar has enjoyed working his magic on The ABC Double D’s of Burlesque and taking this project to the next level.

A Vancouver burlesque all star, April O’Peel has been awarded “Most Comedic” overall for her performance at the Burlesque Hall of Fame in Las Vegas NV. Listed as one of the top ten Canadian burlesque performers, April conceptualized and produces the yearly burlesque showcases Burlesque Long Form and Burlesque Duos. April O’Peel is one of the founders of the ongoing revue, Gastown Cabaret where she performs monthly. April is a key member of The Screaming Chicken Theatrical Society having taught burlesque classes, performed, and held office with the board of directors for almost a decade. April is also a feature performer with Canada’s Most Popular Burlesque show, Kitty Nights West. April holds awards for “Comedic and Satirical Brilliance” from the Vancouver International Burlesque Festival where she has performed consecutively since 2008. Choreography credits include SHINE: a burlesque musical and Greece Does Grease. Other notable appearances include the Vancouver Fringe Festival, The Accordion Noir Festival, Whistler Pride and Yuk Yuks Vancouver.



https://scontent-sea1-1.xx.fbcdn.net/hphotos-xpt1/v/t1.0-9/11260480_472641349604216_7548932628048650238_n.jpg?oh=28574d6218cd13c2a6a32e26f3f541ef&oe=572CBE66
Photo by Frankie Panky

Thursday 4 February 2016

Whats going on around here!?!?!


 

It’s here! At last! The ABC Double D’s of Burlesque Blog!!! Dance it out and celebrate your body with the interactive guide to the art of striptease! We love the stage and its colourful creations, the intricate costume designs and props, but most of all, the effect burlesque performance has on its devotees!

Embark on a magical journey of the ABCs and discover secrets of performance and fun untold stories from legends and titans of tease. Learn about the history, costuming techniques and classic burlesque movement from April O’Peel and special guests. Witness the progression and process of the illustration for the book behind the blog and much more.   

Don' miss out on any of the fun and make sure to subscribe to our blog and follow our weekly glorious and glittery updates. Share our guide and your experience with your friends.

@ABCDoubleDs 
#ABCDoubleDs 

 Start from the beginning!